meet an artist annelies de kort

Today in the series MEET AN ARTIST I would like to introduce Annelies De Kort to you.

Meet an Artist. Annelies de Kort

– What are you specializing in?

My specialization is bobbin lace, knitting and embroidery. But I also do crochet, macramé, sewing, etc.

– What made you decide to focus on Needlework in miniature? Did you know instantaneously that this was what you wanted to do (and do extraordinarily well), or did it develop over time?

As long as I can remember I did needlework and all kind of other crafts. And I always was attracted by little things and tried to make everything as small as I could. Not because I wanted them in a dolls house but just for fun.

– Creating miniatures is a very niche form of art. How did you get started designing and creating your own patterns/miniatures?

I started as a bobbin lace maker. There are a lot of different kind of laces. I studied most of them and always made my own patterns. Making patterns is what I love to do. One day I thought: I made so many patterns, what will I do with them? Then I started to make them as small as I could. I did that for 2 years, every day about 5 hours. And because of all the practice I managed to do it smaller and smaller. I used old linen thread I had bought in Bruges (Belgium). It was as fine as Egyptian cotton # 450. As thin as a hair. After I made a lot of lace, I wanted to put it in a shop like I had seen in Bruges. A friend of mine said: “You’d better make it in 1/12 scale”. That is the dollhouse scale. That seemed to me a good advice and that is what I did. And after that I discovered the miniature fairs and shops and so on. I did not know it existed beforehand.

– What is the process of creating a new pattern or product? How much research goes into a pattern, and what inspires you to create a new one?

Sometimes I just have an idea and make it. Sometimes I make things in miniature I once made full size (like the jumpers of my children). But if I make a Norwegian or a Fair Isle jumper or cardigan then I start to look in books and magazines etc., because I like to make them as authentic as I can. The same as I make something from a certain period. Then I start with looking in my costume books first.
Or when I am in a museum and see a piece I love to make in miniature. Then I make lots of pictures. I did that when I made embroidery patterns. I have made a cabinet with embroidered doors and sides from the 17th century. I saw them in The Rijksmuseum in Amsterdam. And I made 2 wall hangings after the full-size wall hangings I saw in the Burrell collection in Glasgow.

 – What other forms (i.e., different fabrics, materials, needles, etc.) do you work with?

I did needlework and crafts as long as I can remember. I have so many materials and fabrics. I like to use them all. I like to work with wood too. I am not so good at it, but I love doing it.

And I loved to make films. Here on you tube you can see what I made: 

http://www.studio.youtube.com/channel/UCjie_MsP1wqivlJv4b4WznA/videos/upload?filter=%5B%5D&sort=%7B%22columnType%22%3A%22date%22%2C%22sortOrder%22%3A%22DESCENDING%22%7D

– Do you feature your work at specific festivals or shows, competitions? What are those experiences like?

My work has been in several museums in The Netherlands. The little lace shop with over 200 pieces of handmade bobbin lace has been in museums in The Netherlands, Belgium, Germany, Spain and France.

I go to fairs in The Netherlands, Germany ( Rheda) and England (Kensington). In 2020 I entered my work in PIMA for the first time.

– How are you preparing for the shows?

I knit a lot of miniatures, I have all my patterns and pattern books, and most of the time all my yarns and materials (but not in Kensington).

– Can we see your studio? 

No, not really. But there are a few times a year when I hold workshops in our house. Then the students can see my work.

– If someone is just starting out with Needlework in miniature and thinking about creating miniatures, how and what would you advise them?

I would advise to start with an easy pattern, especially when they start miniature knitting.

– What is the best piece of advice you’ve been given?

My needlework teacher at school always looked at the back of my work first. I hated that. She always said: “You are so creative; I know the front looks good. But what about the back?”

– What advice would you give to your younger self?

Be proud of what you make. Don’t take your talent for granted.

– Who/What are your biggest influences?

I love to go to a museum. Museums and architecture inspire me a lot.

– How have other artists/designers/miniaturists or art genres have influenced your sense of creativity?

I love the Arts and Crafts and I love folk art. In periods I love the Middle ages, The twenties and the sixties of the last century.

– What keeps you up at night?

All my ideas. I have more than I will ever be able to make.

– How would you describe your current project to someone at a dinner party that is never heard of you and your work?

That is so difficult. I normally do not talk about it.

– What does your Artwork represent? Does your Artwork represent something about you?

I cannot tell. There are so many things I like to do. I made miniature books as well with my own stories. I love to write fantasy stories. For years I made patterns for the Dutch miniature magazine.

– What/How did you have to develop, try, or learn to create your Artwork?

 Most things I learned by experience. And by throwing away and start again before I am satisfied.

– What does your Art mean to you? 

I could not live without it because my head keeps given me ideas. It never stops.

What gives you the most joy?

When a pattern which took me a long time to make, turns out to be as beautiful as I hoped it would.

– Is there anything you dislike about your Artwork? 

Things I don’t like I never show to anyone.

– Professionally, what is your goal?

To go on as long as I can.

– What is/are your weakness/es?

I am very disorganised. My room is a mess and I spend lot of time looking for things. And I do not always reply my emails, especially when I am in the middle of creating new patterns.

– What is one thing you are not getting credit for that you absolutely should? Is there such thing? 

Most of the people do not realize that I design all my patterns. When they buy a jumper, they often think it is from a book. They do not realize it is unique.

– What is the best thing about being an artist?

That you have no boundaries or restrictions in your designs.

– What is your strongest memory of your childhood?

 I had a great childhood.

– What is your favorite dish/recipe/food?

I love baking, cakes, and biscuits. I make my own bread.

– What superpower would you have and why?

I don’t know. I don’t think I like to have superpower.

– Who/What does challenge you? What is challenge for you?

I love challenges. Making an entry for PIMA was a challenge for me.

– What is your dream project? 

The things I do because I can do whatever I like. During COVID I made an Animal Home. I wanted to do that for many years but never found the time to do it. During Covid I suddenly had time and I loved it. I even made a whole story about it and its inhabitants.

– Favorite or most inspirational place? 

I loved Florence in Italy.

– Do you listen to music when you are working on a project? If yes, what are you listening to? 

When designing I often listen to an opera.

– What are you most proud of to date? 

My Bobbin Lace shop is of museum quality. I often think it is a pity that it is here in my room and not in a museum or in a place where more people can enjoy it.

– If you were completely start over again, what would you do differently? 

I regret that I have not became an IGMA artisan. I always was so busy making and designing miniatures that I did not take the time to do so. Now that I am 70 years old, I think I should have done that.

My new web shop is : https://miniaturenannelies.nl
My website is: www.anneliesdekort.nl   This website works the best in Explorer.
Facebook: Annelies de Kort-Miniaturen

April Installment SAL 2021

Here is my stitching progress on Stitch-A-Long 2021 Colorful Amalgam. The pattern for an April Installment (as other installments as well) could be found HERE.

I am using 48 count silk gauze and stitching this rug with over dyed Gloriana silk floss. I am spending minimum an hour daily on this carpet since I have other projects on my hands that requires more time.

I think that these squares stitched separately could make nice pillows, especially if stitched on 56 count silk gauze. Being stitched on 48 count the size of each square measures 1 1/2″ and on 56 count as pillows they will look even better. I would use Tudor Gloriana silk floss for the pillows. Hopefully, I’ll have enough time and desire to finish these 9 pillows (there will be 9 squares in the carpet).

Happy stitching!

Natalia Frank

Reproduction of an Antique Sampler by May Nicholls, 1894

Working on reproduction of this antique sampler was a delight!

Late 19th century antique sampler by May Nicholls aged 10 is worked in wool and cotton on even weave gauze. This sampler is completely charming with neat stitch work throughout.

The gauze has overall discoloration consistent with its age. There is also some stitch loss to the outer red chevron border and the odd stitch elsewhere.

I chose to stitch a reproduction of May Nicholls’s sampler, that was finished in September 1894, and comes from my personal collection, on 40 linen using 1 strand of new over dyed colors from DMC one over one. That is why my sampler looks much smaller than the original. The size of May’s sampler is 11″ x 13″, and the reproduction is 2 1/2″ x 3″. I used the same stitches as May did: a tent continental and cross stitch mixed.

The upper section of the sampler is stitched with rows of alphabet letters, numbers and border patterns, all underlined with a Greek key style border.

The lower section of the sampler is stitched with the words “The Lord is my Shepherd”, underlined with a zigzag border which has row of trees and cups and saucers below. There is a central fruit basket below which has a tree and a cross to each side, the date September 1894 above and May’s name and age below. The whole piece is then surrounded by a narrow red chevron border.

I added my initials NF and a year the sampler was finished 2020 on each side of the fruit basket.

The pattern of a reproduction of an Antique Sampler by May Nicholls, 1894 is available at www.dollhouseneedlepoint.com

March Installment

I finished February installment. I am actually so happy I managed to do it since I have several projects on my frames at the same time. I promised myself to devote minimum an hour daily for the February square to stitch and be able to finish it at the end of the month. It took me 12 hours to do it. Now I know that I can finish this rug at the end of this year if I stick to my plan. I chose 48 count of silk gauze and my favorite over dyed Gloriana silk floss.

March has arrived and it is time for a new installment of the Stitch-A-Long Colorful Amalgam 2021. If you click on the image it will take you to the website to download the file for March 2021. Guess what I am going to do today? I am going to play with Gloriana silk to chose colors for this part of the pattern! It always excites me! Happy stitching!

Meet an artist Nicola Mascall

I would like to introduce an interview series ‘MEET THE ARTIST’ for you to get to know more about the talented people who share their work with all of us. The purpose of this series is to acquaint to different artists and designers who work in different media of the miniature needlework in scale. The series is written in the form of an interview that allows to get to know the artist, their background, some tips, tricks, and advices.

Do you find it difficult to introduce yourself as an artist? If yes, you’re not alone.

“I’m an artist” doesn’t seem to roll off the tongue easily. There isn’t an official institution that confers the title of artist on anyone.  You don’t have to pass any licensing boards or get certified to start calling yourself an artist. After all, what we all do in miniature needlework scale is so cool, so magical, and so creative.

Introducing… Nicola Mascall

– What are you specializing in?

I don’t really specialize in any one thing, but I do have a preference for Aubusson carpets, and I love designing and stitching early pictorial wall hangings.

– What made you decide to focus on Petit Point? Did you know instantaneously that this was what you wanted to do (and do extraordinarily well), or did it develop over time?

I began making miniature samplers back in 1992 but quickly progressed to pillows, footstools, etc.

– Creating miniatures is a very niche form of art. How did you get started designing and creating your own patterns/miniatures?

I have a degree in Art and design which led on to illustration. I think my tapestries are an extension of this.  It was not until I got my first computer and gained some skills on it, that I was able to create the carpets, wall hangings etc., I make today.

– What is the process of creating a new pattern or product? How much research goes into a pattern, and what inspires you to create a new one?

Whatever takes my eye. Maybe I will spot something online or in a book, museum, historical building.  I also take on commissions and the customer usually provides me with pictorial reference.  The process can be long in creating the design/pattern.  When charting a carpet (for example) and using my, invaluable cross-stitch design software, I will first work out how many stitches I need for the size required.  Then, I roughly map out the design.  Gradually, I build the design up until I am happy with it.  Once stitching is underway, I make changes to the design along the way, if necessary.  I use a slightly different process when stitching a more pictorial scene such as a wall hanging.  I make a rough chart to begin.  I try to create a pattern for the main elements in the design, such as figures foreground foliage etc., but much of the design gets left to ‘free-hand’ stitching!

 

– What other forms (i.e., different fabrics, materials, needles, etc.) do you work with?

I do not really find time to branch away from Petit Point.  Sometimes, I do a little knitting in the evening but like to stick to simple stuff as by then I am through with concentration!

– Do you feature your work at specific festivals or shows, competitions? What are those experiences like?

The last few years I have only been participating in the London Dollhouse festival, which this year has gone on-line for obvious reasons.  I have entered the associated PIMA competition several times and have been incredibly grateful to have won a first and a second place.  It is quite a stressful experience entering that competition as the standard is exceedingly high.  It requires a lot of valuable time to, not only make something special but also to decide what to make.  If you feel you have put your heart and soul into a project, it can come as quite a blow if your efforts are not rewarded with a top place or commendation.

– How are you preparing for the shows?

My prep for the online shows has been quite different from an actual show as I have concentrated on making items to sell in my Etsy shop.  My stock of kits has greatly depleted because there is no pressure to have full stock at an actual fair. 

– If someone is just starting out with Petit Point in miniature and thinking about creating miniatures, how and what would you advise them?

My first recommendation would be to research the competition and find your unique style.  Ask yourself, what could you offer that others perhaps don’t.   Do your research on possible materials.   If at first, you don’t succeed… persevere!  Ignore the doom merchants.  Don’t expect to get rich quick (if ever).  Follow your passion!

– What is the best piece of advice you’ve been given?

Silk gauze!!

– Who/What are your biggest influences?

My mum, she was a brilliant seamstress.  Daphne Turner, who died in 2005 was a huge influence.  She produced the finest, most detailed, inspirational pieces and was the first and one of the very few artists to work on an incredible 112 count silk gauze.  She offered tremendous encouragement to me when I first started out.

– What keeps you up at night?  

What happens when I am too old or blind to see?

– How would you describe your current project to someone at a dinner party that is never heard of you and your work?

I would say that I am designing and micro stitching a 12th scale copy of an antique carpet for a wealthy, collector’s doll’s house.

– Where do you get an inspiration for your ideas from?

 Ideas can come out of the blue but mostly from the internet, books, and historical houses.

– What does your Artwork represent? Does your Artwork represent something about you?

Yes, probably. I love attention to detail, I have a great sense of colour, I can be impatient (hence, not always finishing a chart, before I start stitching), and a bit untidy!  (my backs are never perfect!)

– What/How did you have to develop, try, or learn to create your Artwork?

My work has progressed naturally as I have gained confidence in my abilities and received praise from my contemporaries. I always strive to improve.

– What does your Art mean to you?

Life would be very dull without it. 

– What gives you the most joy?

Starting a new, exciting commission and positive feedback from happy customers.

– Professionally, what is your goal?

My goal would be to continue my enjoyment of this unique profession with the passion I have always had for it.

 

– What is/are your weakness/es?

I am a bit of a workaholic.  I wish I had an army of elves to help with the housework!

– What is the best thing about being an artist?

The best thing is to be able to combine your passion with your full-time job and not feel as though your talents are being wasted.

– What is your strongest memory of your childhood?

Holiday with my Granny and making things!

– What is your favorite dish/recipe/food?

I love Indian, Thai, and Italian food.  I have a penchant for shellfish.  But, most of all, a good British roast dinner with lashings of gravy!

– What superpower would you have and why?

I would love to have more hours in the day and ten pairs of arms and perhaps supersonic eyesight!

– Who/What does challenge you? What is challenge for you?

I would like to try stitching finer than 83 count, but I haven’t yet found suitable means of magnification.

– What is your dream project?

 I am not sure what it would be, but I have certainly had some dream projects in the past, one being the commissions for Ham House.

  

– Favorite or most inspirational place?

I love wandering around the grounds of Longleat House, local to me. On a day when it isn’t crowded with tourists, it can be a most tranquil, beautiful place.   Waddesdon Manor, in Buckinghamshire is another favorite and a source of inspiration, filled with beautiful carpets, tapestry upholstered chairs etc.  Rome and Vatican City for its architecture.   Best of all, the Greek Islands for complete relaxation.  Too many to mention.

– Do you listen to music when you are working on a project? If yes, what are you listening to?

Being a musician, I find music too distracting when I am working and prefer to have Radio 4 in the background.

– Where does your support come from when you “hit a wall”?

Never really ‘Hit the wall’ but I get great support from immediate family and close friends.

– What are you most proud of to date?

Probably my winning 2019 Pima entry.

– If you were completely start over again, what would you do differently?

Nothing.

You can find Nicola’s work at

www.nicolamascallminiatures.co.uk

www.etsy.com/shop/nicolamascall

All images and information are published with the artist’s permission and all copyrights are reserved.

february installment

Here is a link to download a PDF file for February Installment for Stitch-A-Long 2021

Antique Sampler G.M. 1910

First from the Miniature Series of Reproduction of Antique Samplers “Timeless Treasure Troves” is reproduction of an antique sampler “G.M. 1910”

This sampler has been chosen first in the series, because of the colors the sampler is stitched with, green and red. It reminds Christmas and the New Year holiday festive time.

Original sampler is stitched on canvas with wool and signed G.M. 1910.

The miniature sampler reproduction is stitched on 48 count silk gauze with Gutermann silk floss.

I chose to stitch the background, when it’s not really necessary.

79 x 99 stitches

The Antique Sampler G.M.1910 could be stitched on any count of canvas or linen. It measures if stitched on:

28 count – 2.82” x 3.54” (7,17 x 8,98 cm)

36 count – 2.19” x 2.75” (5,57 x 6,69 cm)

40 count – 1.98” x 2.48” (5,02 x 6,29 cm)

48 count – 1.65” x 2.06” (4,18 x 5,24 cm)

56 count – 1.41” x 1.77” (3,58 x 4,49 cm)

60 count – 1.32” x 1.65” (3,34 x 4,19 cm)

72 count – 1.10” x 1.38” (2,79 x 3,49 cm)

The kits for the reproduction of an antique sampler G.M.1910″ could be purchased at www.dollhouseneedlepoint.com

Happy stitching!

Natalia Frank

Stitch-A-Long: January

I invite you to join me in Stitch-A-Long 2021. I am offering a design that could be stitched on any type of canvas and be finished as a pillow, little carpet and, of course, a dollhouse miniature petit point rug in 1/12th scale. For January month I am offering a frame/border of the rug. The field of this rug consists of 9 squares. Each month I’ll post a pattern in black and white symbols for you to color with threads and needle. Each finished project, based on this pattern, will look different, one of a kind, because you will chose a canvas, fabric and its count, threads (wool, cotton or silk) of your choice. To download a PDF file for the border of this design, please go HERE.

To share the stitching progress and meet like-minded stitchers join our Facebook group COLORFUL AMALGAM

303 x 303 stitches

It measures:

If stitched on 18 count – 16.83″ x 16.83″ (42,76 x 42,76 cm)

If stitched on 22 count – 13.77″ x 13.77″ (34,98 x 34,98 cm)

If stitched on 36 count – 8.42″ x 8.42″ (21,38 x 21,38 cm)

If stitched on 40 count – 7.58″ x 7.58″ (19,24 x 19,24 cm)

If stitched on 48 count – 6.31″ x 6.31″ (16,03 x 16,03 cm)

If stitched on 56 count – 5.41″ x 5.41″ (13,74 x 13,74 cm)

If stitched on 60 count – 5.05 ‘ x 5.05 ‘ (12,83 x 12,83″)

Happy stitching!

Natalia Frank

2021 INTENTIONS

“I cannot count my day complete till needle, thread and fabric meet”. Author Unknown

December of each year is a time for me when I look back at all events that happened during that year. I go through the pictures I took, and all emotions are coming back. Unfortunately, we did not travel much in 2020 due to pandemics and spent most of our time at home. Our only joy was going to meet a realtor at a house we thought we would have bought. Yes, we sold our home that we lived in for last 7 years and were looking for a new home. It was time when we decided we needed 180 degrees turn, a new start. Since June we have made 5 offers for different houses all around Washington state and none of them went through for whatever reason. At some point we have changed our minds, at some point there were other circumstances. To make the story short, we finally bought a house in November 2020, that we felt will be the home. The house that we have never visited or seen alive. More than that, this house is in Iowa state, the state we have never visited before, and we are moving there at the beginning of January. Sounds crazy?

December is a time for me when I look back at what I achieved during that year and start making resolutions for a coming year. I always loved doing it. I have piles of organizers where step by step there are written plans for each month, week and even some days. Have I ever followed them? Well, the answer is NO, but it helped me to organize my thoughts and ideas somehow.

2021 will be absolutely different for me. No resolutions, no plans. I gave up on all my resolutions that always were mostly the same each year: lose weight, to be more outside hiking/biking/kayaking, finishing this and that.

This coming year there are only intentions. The list of my intentions for 2021, probably, is not as long as yours, but it includes a lot of stitching. The motto of 2021 year is “No Day Goes Without a Stitch”! Well, I am lying, I would like to leave a weekend for my family. Due to moving to the other state, all my studio, all my stitching supplies are boxed, limiting me in what I love to do most – stitching. Mentally I am already in my new studio, unpacking threads, silk gauze and stitching, sitting comfortably in a cozy chair, time after time looking outside of the window and enjoying the look of my future garden!

Another intention for 2021 is to keep this blog updated regularly. I felt a need to have one. Last 4 years were exceedingly difficult for my family and me. Saying Goodbye to my Son in January 2017, my Dad in March 2019 and my Mom in November 2020 changed me and the way I look at life and death. I spent 4 years in complete abyss, fighting depression, experiencing lack of motivation and interest in everything, trying to find out who I am now and a purpose of being, but I am slowly climbing out, at least I have such intention. I felt a need to open a new blog and be connected to the world this way sharing my knowledge of what I still love to do in this life. I know I’ll never be the same, but I hope you’ll like to see what I am working on, to hear about my new designs and classes. I also hope you’ll share your thoughts and your work with me through the comments.    

Happy New 2021 Year! Be this year creative and inspiring for you all!

Happy stitching!

Natalia Frank

2021

Happy New 2021 to everyone!